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Monthly Archives: November 2010

Poet Sarah Lindsay

21 Sunday Nov 2010

Posted by Tea-mahm in eating poetry, Poetry, Sarah Lindsay

≈ 1 Comment

Twigs and Knucklebones has not arrived yet. I was supposed to pick up Sarah’s poetry book after my reading at Quail Ridge Books & Music in Raleigh, but I forgot, so they are sending it. I want to offer a couple of Sarah Lindsay’s wonderful poems and promote her yet-unread book because I love the writing. She is a very modest individual. When I asked what she did to celebrate winning the Lannan Poetry Award in 2009 (which came with a sizable honorarium) and she told me she and her husband went out for Chinese food and she took one work day off a week. We met at my Barnes and Noble book reading in Greensboro the beginning of November. She sat in the audience and smiled at me. I didn’t know who this woman was, but my friend, Fred Chappell had brought her to the reading to meet me. We had tea afterward. Here is a poem.

In Angangueo

She was in Mexico for some paper chain of reasons,

same way she landed anywhere in her days of plenty—

so many languages to pick up, countries to travel through,

mouths to consider kissing, and she could

walk all day, eat anything, add hot sauce,

ask for money from home without reckoning,                    

wake at noon and stretch without pain.

Then after one ridiculously cold night—

“It’s never like this,” the guide said—

she stood knee-deep in monarch butterflies

and shivered, once. Not from cold; maybe

from acres of crepe wings stiff in a low breeze,

antennae against her shins.

Little boys in drifts of dulling orange were trying

to pack balls of wings to throw at each other;

she thought perhaps she wouldn’t have children.

Or guides, like this one who soothingly repeated,

“The monarchs are sleeping.”

Sarah talks about her writing time in an audio “From the Fishhouse.” “I write on weekend afternoons. Before I write, I wash dishes… something regulated and low key that… keeps my body busy so that the mind can settle into hearing only the poem. I get all of the notes together that I’ve accumulated over a week or two, then I start washing dishes, going over what I’ve got in my head and more lines start coming. …I have to dry my hands and make slightly damp notes on the paper and by the time all of the dishes are done I go to the desk and there is no question of confronting a blank piece of paper…”

Small Moth

She’s slicing ripe white peaches

into the Tony the Tiger bowl

and dropping slivers for the dog

poised vibrating by her foot to stop their fall

when she spots it, camouflaged,

a glimmer and then full on—

happiness, plashing blunt soft wings

inside her as if it wants

to escape again.

Born in Cedar Rapids, Iowa, in 1958, the poet Sarah Lindsay works as a copy editor and proofreader in Greensboro, North Carolina. She is the author of Primate Behavior (Grove Press Poetry Series, 1997) which was a finalist for the National Book Award; Mount Clutter (Grove Press Poetry Series, 2002); and Twigs and Knucklebones (Copper Canyon Press, 2008). She plays the cello with friends in a quartet that is sometimes a trio or quintet, and lives with her husband and small dog among toppling piles of books. <>

The South: On The Road

11 Thursday Nov 2010

Posted by Tea-mahm in Uncategorized

≈ 1 Comment

I am on the road, in a southern state, in the perfect autumn moment. Sky is blue and the leaves are wearing exciting colors. If I stand still and look up, I can watch them let go and dance down. In the 10 days I am here, I will drive 800 miles and visit 4 bookstores. Two down, two to go.

A few days ago I parked in front of a very large chain bookstore, took my briefcase and purse, and opened a tall glass door. Inside it looked like a cross between expo concourse, university library, and Whole Foods. I stopped eating ice cream a few years ago, so bookstores like this bring out my sorbet sensibility. I can almost taste the delicious, shiny covers.                                                     

There were long isles of fiction and non-fiction, a large children’s section and food court. It was Sunday afternoon. As I passed the information booth a woman’s voice called out, “Tamam?” I turned to meet Cheryl, my host, who recognized me from my photo. In the next 20 minutes, after stashing my coat and briefcase (one of the perks for bookstore-presenters) I browsed, glancing at the display of my book and the twenty or so white chairs.  Every now and then an elderly person would sit there to rest. I am a lucky author. At least 18 people have come to each of the dozen or so readings of Untold so far. But what if no one shows up, and my friend – once State Poet Laureate and prize-winning author – has no one to introduce me to? Cheryl smiled at me again. “Things run late in this town,” she said, soothingly. Suddenly it was happening. Fred arrived with friends and the first two rows filled up. A couple people sat in the back. Fred introduced me on the wobbly mic. I stepped up to the lectern and tossed out the “raisins” of information about the book and my life. I read some poems. The audience was smiling. They asked good questions. They were still smiling. Sarah Lindsay, an enormously gifted poet grinned at me. I signed books and hugged Cheryl good-by. <>

A few nights later, I drove an hour and a half to a well-known indy bookstore. But, it was Amy Sedaris Time and the place was papered with the delighted news of her performance and reading event the next evening. Her book, Simple Times, Crafts for Poor People was a sensation or she was a sensation or both. The $10 tickets to her event were going fast, and Dave, the man who was to introduce me was quite busy with that, and the downstairs was crammed with chairs and a kind of balcony with a lectern and a hefty mic. I hastily put up the PR that my publicist had sent the store, and scribbled “tonight!” on it, then left for early dinner.   Dave moved the lecturn down from the stage and introduced me. He was kind and helpful. The handful of attendees moved closer to me and the reading began. A smart and attentive fifth-grade girl named Aliya was listening to every word.  I felt deeply honored.

Each of these events is such a unique opportunity to speak to 5 or 40 people, to smell the books and appreciate the kind attention of the bookstore staff, the generosity of my friends and curious passers-by. I am surrounded by thousands of books for an hour. They don’t make a sound.  For those of us that love bookstores, this is reward enough, but then comes the make-my-day moment when the bookseller says, would you like to choose a paperback as a gift from us? (in that case I sold 18 books for them) or “How about our store tee shirt?” green, with the logo – the consolation prize for selling only one book. The man who bought that book asked me to inscribe it to the local library… Nice.

Brenda Hillman and Bob Haas @ Toby’s Feed Barn

02 Tuesday Nov 2010

Posted by Tea-mahm in Brenda Hillman + Bob Haas, Events, Poetry, Untold, word-dancing

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Way back in September, Brenda Hillman and her husband, one time Poet Laureate of the USA, Robert Haas, read at a favorite local venue – Toby’s Feed Barn. Bob and Brenda are two of my favorite poets. It was a spirited occasion celebrating and fundraising for the local bookstore, Point Reyes Books. Add a hundred or so poetry lovers, plenty of chairs, books for sale, an old milk can or two, and bales and bales of straw – and you have it. I bought tickets ahead of time and brought my husband, Shabda, and friend, Kyra, with me. The Barn was cozy and smelled sweet and dry. I gave a copy of my new book, Untold, to Brenda, with the message that I didn’t need anything from her, just wanted her to have it. I’m a fan and have several of her wonderful books of poetry. Practical Water is her newest. You can catch something of the subtlety and originality of her thinking and poetry here.

From Practical Water

What does it mean to live a moral life

It is nearly impossible to think about this

We went down to the creek

the sides were filled

with tiny watery activities…                                                 

An ethics occurs at the edge

of what we know

The creek goes underground about here

The spirits offer us a world of origins

Owl takes its call from the drawer of the sky…

It’s hard to be water

to fall from faucets with fangs

to lie under trawlers as horizons

but you must

Your species can’t say it

you have to do spells & tag them

uncomfortable & act like you mean it

Go to the world

Where is it

Go there  ~

Bob read “Poem for Brenda,” with the line  “..kissing, our eyes squinched up like bats…” and told the story of how he un-invited poet Robert Pinsky and his wife (after planning to dine with them) when Brenda spontaneously agreed to come over for their first date – years back. I came home with Bob’s 2007 book Now and Then, The Poet’s Choice Columns 1997-2000, Counterpoint Press, Berkeley. For those of us that love poetry, this is a great read. It consists of columns he wrote as Poet Laureate, and I have a marker at every 3 or so of more than 100 small essays for the Washington Post as a column called, “Post’s Book World.” It was syndicated all over and went continued four years. Here’s a sample:

July 19 “Postmodern –experimental poetry– has been for the last fifteen years or so trying to figure out how to wriggle out from the sort of direct, personal poetry that the generation of Allen Ginsberg and Adrienne Rich made… it was time to do something else.” (The new poetry he describes as…) “an effort to subvert narrative, undermine the first person singular, and foreground the textures and surprises in language rather than the drama of content.” His example is Susan Wheeler. Haas writes, “Sometimes it seems that Wheeler is trying to marry The Talking Heads’ Stop Making Sense to Victorian nonsense verse.” From “Shanked on the Red Bed,” The perch was on the roof, and the puck was in the air./ The diffident were driving, and the daunted didn’t care. <>

[I’m glad to be back writing this blog again, with hopes that those looking for information on my book Untold can find the right buttons above.]

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Tamam’s Links

- Poetry Group - Oracular Pear

- Youth Speaks: Poetry Slam

Links

  • Book: Physicians of the Heart the 99 Names of God – amazing book
  • Fred Chappell: short review
  • Gulf Coast Poems Poets for Living Waters
  • How a Poem Happens
  • Jamaica Osorio's website
  • Mari L'Esperance, poetry
  • Mark Doty, amazing poet read and listen to this poet
  • New Formalism Where is formal poetry today?
  • Oona and Maeve Granddaughters Oona Beatrix and Maeve Clementine
  • PoemShape Formalist Poetry
  • Poetry Out Loud! supporting the next generation!
  • Seven Pillars Book Review by Tamam Mother of The Believers by Kamran Pasha
  • Seven Pillars, POETRY poetry on Pir Zia’s blog/7 Pillars
  • Sufi Ruhaniat International Ruhaniat web site!
  • The Accidental Theologist Lesley Hazelton – a favorite writer and author…
  • The Sound Journal Tamam edits this Journal: NEW!
  • very like a whale good poetry reviews
  • West Marin radio show Sufism: The Heart of Islam, with Wendy McLaughlin

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